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The speech coach listens to his voice, then sets out to help him not only deepen it, but to lose all the indicators of what’s considered a gay voice. Because of the ex-boyfriend debacle, Thorpe decides to alter his voice in the hopes of sounding less perceptibly gay.
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To get some professional answers, Thorpe enlists a speech coach who will serve as more than just a research reference. Sedaris makes a memorable, stinging observation about the conflicted feelings that occur when one is misidentified as straight. “Do I Sound Gay?” does ask some thought-provoking questions about where this particular “gay-sounding” voice comes from: Is it a subconscious mimicry of the female voices of one’s relatives? Is it a means of telegraphing so that other gay men know of one’s existence? And is a lisp an early indicator of homosexuality? (One interviewee jokes that his speech therapy classmates proved that it is.) Thorpe asks celebrities like David Sedaris and Dan Savage about these ideas, getting candid responses from each about whether they believe they sound gay. This particular aspect of their voices remains curiously unexplored by Thorpe, though I sense it might be a reason why one would mimic their manner of speaking. They were also able to get away with verbal murder simply because of the way they sounded-they could say almost anything. A young police officer, Cristi, tries to find the balance between two opposing parts of his identity: that of a man working in a macho hierarchical environment and that of a closeted gay person who tries to keep his personal life a secret. The former delivers a “Hollywood Squares” punchline that’s as politically incorrect as it is hilarious, and the latter is seen rolling his eyes and antagonizing Brett Sommers on “Match Game.” Since TV wouldn’t allow blatant homosexual displays back then, I always thought Lynde, Reilly and others used their voices as a subversive way of communicating with LGBT members who watched them. As examples of the kind of voice Thorpe is discussing, “Do I Sound Gay?” brings in Paul Lynde and Charles Nelson Reilly.